Featuring interviews by famous fans and followers, this rare documentary encapsulates the essence of the controversial, enigmatic, and deliciously melancholic bard.

Bachelor Jack Worthing and his best mate Algernon Moncrieff hope to marry society’s most eligible ladies, Gwendolen Fairfax and Cecily Cardew. But the lads’ courtship of the women is far from straight forward! With double identities, plenty of ‘Bunburying’ and a number of hostile encounters with the formidable Lady Bracknell, the pair become embroiled in a web of mistaken identities with hilarious consequences.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

"The Cost of Living" was shot on location in Cromer on the Norfolk Coast in England: a typical, old-fashioned and faded seaside resort. The summer season has petered to an end and an air of desertion hangs over the town. Eddie and David are disillusioned street performers. Eddie is tough, confrontational and not afraid to defend his belief in justice and honesty. David is a dancer who has no legs; watching him makes you reconsider accepted notions of perfection. He is quietly determined not to let his disabilities or society's prejudices get in his way. A series of inter-linking scenes shows how Eddie and David negotiate life, fall in and out of relationships and survive day to day.

"The Cost of Living" was shot on location in Cromer on the Norfolk Coast in England: a typical, old-fashioned and faded seaside resort. The summer season has petered to an end and an air of desertion hangs over the town. Eddie and David are disillusioned street performers. Eddie is tough, confrontational and not afraid to defend his belief in justice and honesty. David is a dancer who has no legs; watching him makes you reconsider accepted notions of perfection. He is quietly determined not to let his disabilities or society's prejudices get in his way. A series of inter-linking scenes shows how Eddie and David negotiate life, fall in and out of relationships and survive day to day.

Lily is stuck in a state of ennui, until Death comes along in the form of a beautiful woman and entices her to live.

A young boy watches in helpless horror as his alcoholic father turns into a zombie before his very eyes. Vancouver's Andrew Currie adeptly builds tension as young Zack wrestles with the twin demons of imagination and reality.

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